I’ve been playing this game Drawsomething on my iPad and once in a while I’ll do a pretty good drawing on there. I take a screenshot of those good ones for the archives and I just put a bunch of them here. Drawsomething makes a good sketchbook for people like me that don’t get around to drawing enough.

Over on Twitter I was goofing around and posted a bunch of ideas for a story that teams up Kolchak The Night Stalker, The X-Files and Back to the Future. I compiled all those tweets on this page.

This is kind of time consuming but fun: I started a journal of my comic book purchases with big scanned images of the highlights. Take a look at the good stuff I bought on March 17, 2012 and March 31, 2012. I bought a bunch more junk on April 22 that I’m about to dig into. We’ll see if I get around to scanning any of that stuff.

I read a really sad and terrifying sci-fi dog comic strip in an old issue of Unknown Worlds and was compelled to post it — take a look, if you dare.

Also in my digital comics shop I recently added a PDF of my printed Sparkplug Comics book, The Shortest Interval. Here’s my shop and here’s the Sparkplug shop.

That’s it for now!

79. Lookit

I did a blog post that shows how I made this comic strip right here.

Check out this slide show of the process:

For the last few Laugh Menu strips (#68 for example) I’ve made a two-color version by doing two graywash overlays and then tinting them on the computer. The two overlays are on sheets of vellum. I ended up using a little bit of slop from the back of the envelope and photoshopping it in to add a little more coverage as well. Also in photoshop I copied a piece of the scanned vellum and scaled it way up and blew it out with the levels settings to make that hazy “noise” that’s over parts of the strip. There are some other photoshop adjustments here and there, too.

The story I did for Study Group Magazine — still for sale! — was done like this, but I think I’m getting better at it than I was when I did that. When I get enough strips that are made like this I guess I’ll try to sell you a PDF of them. I don’t have any print publishing plans for them at the moment.

That’s all there is to it!

Shoot, digital comic books — is anybody doing this?

**UPDATE: Sorry in advance for the cranky tone of this. Enjoy yourself if you choose to read through it.

I’ve been thinking a lot about the whys and wherefores of trying to sell my comics as digital files (for consumption on your portable devices). Seems like a good idea even knowing that there’s a really small confirmed audience for such things — but people are still resistant! Let me tell you about it.

1. The author says “I don’t like digital books; I just like the way printed books feel and smell, etc — you know what I mean?”

Yes, I know. But this is totally bogus logic. Maybe somebody likes your stuff but HATES the way it smells, and prefers the smell of his hot LCD screen. Sell him that object. David Lynch doesn’t want you to watch his movies on your telephone, but he’s not stopping you.

2. The author says “I love paper books so much that I can’t imagine selling a digital inferiority to my fans. I’d give it to them free or for a dollar, I guess.”

Outrageous! Let’s talk about MAKING MONEY. If you don’t want to make money why do you put a purchase price on your books? Is your work that valueless? People are constanly complaining on the internet that freelancers shouldn’t just work for the exposure, but that’s what you’re doing if you “sell” your digital books for next to nothing. Sure, if the print version is a dollar, by all means make the PDF a dollar, but don’t undercut yourself like a fool.

For the comics buyer: you may or may not know by now that the books I and my friends make don’t earn much money for us. Mini-comics are a break-even endeavor. My deal with Sparkplug gave me a limited number of comp copies and the opportunity to make money should a second printing occur. But I’ve seen all the boxes of Lemon Styles still in the Sparkplug office. With those generalities in mind, should I still want to give away the digital version when I’d get to keep 100% of the selling price (I know it won’t be a lot but it will be more than nothing. Maybe buy the paper to draw the next thing), I won’t ever run out of copies, won’t have to warehouse inventory?

And for you comic book makers: If you think your book by itself wouldn’t be as great in a digital format, consider adding some stuff to the file that you wouldn’t put in the print version, “DVD Extras” as it were. Color photos of artwork in progress, link to the youtube commercial, finished color art that you can’t afford to put in the black & white printed book — the sky’s the limit.

3. The author says “I won’t know how much to charge for something like that since I would never buy it myself.”

Talk about lazy. What brainiac algorithm did you use to price your printed mini-comics? “That ought to be two bucks, I guess.” *

The science I decided on is something like this: imagine what you would charge for a printed copy, subtract the printing overhead, add a generous paycheck for yourself for making this whole comic book on your own and doing a bunch of digital production that was hard to learn, then consider that you’re selling the file to your audience for a generous discount compared to the printed book and when all is said and done, just sell the ebook for half the cover price of the print version. You got a $20 book? Give me the PDF for $10. That’s easy. How much do you make from that $20 published book? two bucks? Less? You get $10 from the ebook. How much profit from your $3 mini-comic? A dime? And you had to waste your time stapling and all that other stuff you and I hate doing?

You think your reader doesn’t want you to get most of the money that he’s spending for your stuff? Your customer gets a cheaper book that will make him laugh just as much as the paperback. (I don’t think I’d charge less than a dollar for anything, though.)

4. The author says “That ebook looks like crap compared to the printed version.”

That’s a possibility, sure. I’ve been trying to figure out the compromise. If you’re not careful the digital version will have an unmanageable file size, it’ll kill on web storage, kill the readers on the download, they’ll have to wait for pages to load; or the other end of the spectrum, it’ll look like a postage stamp that somebody faxed you. But it can be OK, too. We’ll work it out. I got a pretty decent file size on my PDFs of Crime World. Lots of people never notice that stuff anyway, as long as it works in the end. My point is, you can have a high-quality file that works. You see good-looking artwork on the internet all the time, right? Do you stop and think how much better some JPG would look on paper while you’re reblogging it?

Also, the fact is that if a person needs something that looks like a beautiful printed item, such a thing exists in the form of a beautiful printed item. Or if a person wants a laugh and understands he doesn’t need paper to laugh, he can buy the digital version. Just make a good comic book.

5. The author says “I don’t know if this file will work after somebody buys it.”

I say sell a variety of file versions just to cover your bases. Kindles use different files than iPads. EPUBs of comic books look wretched on Adobe Digital Editions on my PC. PDFs display weird in some e-readers. How about I just let you buy a ZIP file that has an EPUB, a PDF, a CBZ, maybe a MOBI for Kindles? All for the same price. What do I care? I know that everybody mainly just wants this stuff to work on their stuff. Wouldn’t it be great if the CD you just bought also came with some MP3s somehow, or DATs or whatever crazy crap you’re into? If I’m making and selling the comics myself why can’t I do that? Save you the trouble of having a thing you can read on your tablet but not on your PC.

6. The author says “I’m scared of all this piracy!”

I suppose that could happen. On the other hand, if we’re talking about mini-comics, there’s only 250 people who give a shit. No big money loss. If you’re worried, just make it really easy to buy the stuff, make sure your name is on it, make sure you are cool.

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So anyway, that’s some of my thinking on digital comic books. The bottom line is that I know there’s an indescribably small audience for the comics I do, but I would love to pursue as many avenues to selling them as I can, particularly when’s it really easy to make the stuff available. And seriously, if you’re at a point where you give a PDF file to your xerox shop to make mini-comics you might as well take the five more minutes it takes to make a PDF file that looks good in a web browser or what-have-you and try to make a buck or two off it. I can’t force people to buy these things, I know, but the number of people who might want to buy a digital version of my comic books seems to be getting larger all the time. Why not make it easy for them if it’s relatively simple for me to do?

Here’s my digital comics shop. (you can also still buy some of my comics and those of Levon Jihanian and Tom Neely at the Fork frenzy Shop, too) Give it a try if that’s your thing. It takes a Paypal account and the ability to download files from your browser. I’ll try to add my other comics and new things as time goes on.

Here’s some technical stuff and some links; maybe this stuff might be helpful to somebody or maybe somebody can help me.

•I used a wordpress plug-in called Cart66 Lite for my ebooks webstore.

•I bought a student version of InDesign CS5.5 that really easily exports PDFs and EPUBs from my for-print InDesign files. It takes some figuring out, but afterwards it seems like pretty smooth sailing. I had to save up, I’m not rich.

•I don’t know if it’s possible to make an EPUB that doesn’t just use rasterized versions of my InDesign pages. The PDF will still have vector text, lower-res color art and high-res bitmap line art so they can end up being a fraction of the size of flattened color JPGs in the EPUB. These fixed-layout EPUBs sound cool, but only work in iBooks, I guess. I suppose it would nice to be able to make them and have them for sale from iTunes. Can regular people do that? I haven’t checked into it.

•I tried to use the Comixology app on my iPad but I couldn’t get it to work, maybe I had a bad install or something. I just wanted to look at the free comics they offer to see how they function and look. I don’t think I would ever use that service much personally because of the same complaint as a lot of other people have — that you don’t actually get a product to keep for your money, but rather just the license to read it for an undetermined period (that’s my understanding of the deal, anyway). It also seems like it’s mostly THE NEW DC 52 which I don’t care about, though you can also buy Jim Rugg comics from there. I would certainly try to sell my comics through there if it were a possibility, don’t get me wrong. For the files I try to sell myself I wouldn’t know where to begin to put DRM into the files, nor would I want to. If you pay for it, it’s yours (such as it is).

•There are sites out there that will host your digital files and provide you with a simple to operate shopping cart and storefront interface, but there’s a fee. These things seem like a real ripoff if you consider that you could do the same thing with a free WordPress site and that free Cart66 plugin I linked to. Those paid sites are easy, though, I’m sure, if you think you’ll make enough to cover the charges (I don’t think I will, maybe your sales would be bigger).

•I think it’s ironic and funny that the iBooks app on my iPad goes out of its way to make PDFs look like second class citizens by adding an ugly comb binding to the icons. So far PDFs are the best way that I’ve found to digitally present my comics. It looks like comic books are never going to catch a break.

•Here’s a couple more screenshots from my iPad to show you EPUB vs PDF presentation and what an EPUB looks like on my desktop PC:

EPUB on iBooks:

PDF on iBooks:

Adobe Digital Editions:

(What I want you to see is that EPUBs on iBooks are small, making them not as cool to look at; PDFs look not too bad when they’re full screen; and Adobe Digital Editions makes a comic book epub look like it just fell off the fax machine.)

•Here’s a sample of the first couple pages of a Crime World #3 ebook (PDF and EPUB). Try them on your devices!

•Here’s some links:

Pew Research Center: Tablet and E-book reader Ownership Nearly Double Over the Holiday Gift-Giving Period

Wikipedia: Comparison of e-book formats

How iBooks Author Stacks Up to the Competition [CHART]

Jonathan Franzen warns ebooks are corroding values

My first iBook: Bringing an OP picture book back to life

“Kindles don’t do epubs”

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*Yes, I know that books that actually cost money to print (ie those from a “real” offset press or what-have-you) cannot be priced arbitrarily, but I’m trying to make a point, buzz off.

I just finished a new one, CRIME WORLD #3, it turned out all right I guess. It’s the first one I’ve done in a while, and as I was finishing it up the memories came flooding back to me. Making mini-comics is a drag!

Here’s some tips from me, to you new pople who are thinking about making mini-comic books:

1. Do a good job. At least the best job you can. Consider that it’s a junky, throw-away product, sure, but if it looks lousy you will just have to throw them away yourself in a couple years instead of letting paying customers throw them away. Good job tips for mini-comics: draw the artwork at final printed size; don’t do fine-line drawings that won’t show up; don’t be ambitious, be economical; practice your lettering.

2. Don’t print very many. That’s because there are only 250 mini-comics buying consumers in the U.S.A. and only five of them have ever heard of you. If you spend your life savings doing a big print run of mini-comics you will regret it. Only print 40 at a time and see how you feel. Even if you’re stealing your copies from Kinko’s don’t do a ton of them.

3. Don’t do color xerox. It’s unbelievably expensive. And that color toner? It’s microscopic plastic particles practically guaranteed to turn to poison gas in a few years and help destroy humanity.

4. Make your mini-comic 5.5×8.5. I can’t help but stand by this advice even though everyone really gushes over the screwball weirdly trimmed mini-comics. A piece of paper folded in half, that’s perfect. A lot of xerox machines can automatically saddle stitch the books, so you don’t have to waste your life manually assembling mini comics that you will eventually just have to throw in the trash (see rule #1).

5. If you’re unsure of your abilities, put it online. Aren’t you glad all those crummy looking comics you see online didn’t waste the paper it would take to print 300 landfill-bound copies? That could be you.

6. Staple then fold. If you are unlucky and have to assemble your mini-comics by hand, staple them and then use a ruler to help you fold them, they will come out much better than the folded-first / off-center-staples pieces of junk that everybody else does. I lay my ruler in the middle of the comic, butted up against the staples, hold it down on the table and fold over the other half of the comic. I don’t know if that makes sense, maybe I’ll make a diagram. Since you’re only doing 40 copies this will take like 15 minutes.

7. Make a PDF. Don’t print from hardcopy master artwork, it will look like garbage. And you will also lose it. Put your comic together with a computer or scan that “master” art to a file and hold onto it. You can take that thing anywhere and get more copies printed.

8. Sell a digital version. Everybody should start doing this and stop acting like the world’s going to end. I have a lot to say about making and selling ebooks but probably nobody is listening. Maybe another blogpost about it later?

9. Be nice, be a good friend. Be humble because you’re not famous and you never will be.

That’s all I can think of right now. Feel free to try to post a comment and tell me I’m full of it.

I don’t know when you’ll be able to buy Crime World #3. I printed some and will have them at the L.A. Zinefest on February 19th. They’ll probably show up on the Sparkplug website. I’ve got an ebook store in the works as well, it might be operational next week even, we’ll see what I get done.

68. Christmas Special

Larger on Flickr

78. No More Plumbing

Superstar pal Renee French let me use her drawing for the second panel. Thanks, Renee!

I have some recent activity to share with you!

First, the Brooklyn Comics and Graphics Festival is occurring on December 3 and not only will Sparkplug Comic Books be there hopefully selling some of the comic books of mine that they published, but also this new thing will be debuting: Study Group Magazine #1. I have five pages of comics in there standing shoulder to shoulder with many of my cartooning idols. It looks like it costs 12 bucks and is published by the underground comics anthology publishing stalwart Zack Soto.

Here’s the floor map for the festival, find Sparkplug upstairs and Study Group magazine downstairs at the Press Gang table #08. Find out more about the magazine on the Study Group Comic Books tumbler.

Second, I made a guest appearance on the Ink Panthers Show podcast a couple of weeks ago. We talked about biking and cats and conceptual art and everything in between! I didn’t listen to it yet, but you might like it.

logo by Samuel Henderson

Third and least important, I submitted a couple pictures of my desk to this new tumbler website operated by estimable small press whizkid, Jordan M. Shiveley, called either Where They Draw or Artist’s Spaces.

Oh yeah, there’s also a brand new Laugh Menu comic strip today in case you’re interested in products of that type on websites.

75. Dark Blue Tiles

77. A Waste of Time